I spent Saturday morning with my friend Tom having coffee and quiche at Shaw's Coffee on The Hill. We drew until the day got longer and Tom set off while I drew for a bit longer wanting to fill out a few pages at least. My drawings improved and then even I got a little tired and definitely ready to head on to the next thing.
PS - If anyone would like to suggest a location to hang out and sketch or would like to hang out, shoot me a message and let't get together and draw.
:)
Here is Tom Drawing me and the other scenery.
Showing posts with label pen and ink. Show all posts
Showing posts with label pen and ink. Show all posts
Saturday, June 2, 2018
Sunday, September 4, 2016
Drawing at Blueprint Coffee Day II
Had a great morning of drawing. The crowd was thick for morning coffee at Blueprint Coffee. Anna, (an aspiring animator), and I drew as people placed their orders and kept up with the scene with our pens and ink.
Some things we discussed (plus a few extras) that I wanted to note around techniques and themes were:
Overheard:
Child: "Mom why do they call this place Blueprint?"
Mom: "Because I think they followed the blueprint to make the prefect coffee."
Some things we discussed (plus a few extras) that I wanted to note around techniques and themes were:
- Drawing small boxes with limited lines (like 10)
- Drawing the panoramic scene.
- One and two point perspective
- Breaking down multiple views of a scene as it progresses.
- Action drawing versus precision and finding a balance.
- The concept of the cartoon as a simplified gesture
- Breaking down sub-regions of a scene
- Figures in motion
- Textures
- Symbolizing
| Out front of Blueprint Coffee |
| Drawings by Brian |
| Drawing by Anna |
| Detail of Completed drawing by Anna |
Labels:
Blueprint Coffee,
coffee shop,
pen and ink,
urban sketching
Wednesday, March 9, 2016
Quick Figure Drawing Session
This is a series of drawings which I have started using velum as a surface. I actually like it quite well at the moment. It gives clean lines which some may see as a bit cosmetic, but I find I can also scribble and build up tone on it too.
The first reminds me that perhaps I should not go into a drawing session not warmed up. It is like a form of decompression from the day in which the days pent-up pressure, restriction, constriction, and tight focus slowly comes unwound.
But to be warmed up for the first drawing is to be ready to maximize the use of the model and the time given. Then, intent is more focused and fewer lines are wasted.

Over a session, straight, clean but lethargic lines and a desire to capture some edge or shape seem become over-thought or misdirected. Then like the day's compromises, they are thrown off. What is disconnected becomes then recombined, whole simple and centered.
This is parallel to the disrobing of the figure which also bears little pretense but is what it is much more plainly.
The first reminds me that perhaps I should not go into a drawing session not warmed up. It is like a form of decompression from the day in which the days pent-up pressure, restriction, constriction, and tight focus slowly comes unwound.
But to be warmed up for the first drawing is to be ready to maximize the use of the model and the time given. Then, intent is more focused and fewer lines are wasted.
| Drawing 1 - 20min |
Over a session, straight, clean but lethargic lines and a desire to capture some edge or shape seem become over-thought or misdirected. Then like the day's compromises, they are thrown off. What is disconnected becomes then recombined, whole simple and centered.
This is parallel to the disrobing of the figure which also bears little pretense but is what it is much more plainly.
| Drawing 2 - 20min |
| Drawing 3 - 20min |
Labels:
Emily,
figure drawing,
nude,
pen and ink,
Phil Perschbacher's Studio,
rarefaction,
velum
Wednesday, March 2, 2016
Tuesday, March 1, 2016
Monday, February 29, 2016
Tuesday, February 16, 2016
Magnolia Strange at Webster Groves Christian Church
Magnolia Strange posed for a us at Webster Groves Christian Church.
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| Rough Sketches |
Magnolia takes the stage as Vihar draws in the foreground above as John Dyess our host is in the middle.
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| Above by Brian Anderson |
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| Above by Marina Movshina |
| Magnolia Above Drawn by Thomas Saepe |
Sunday, February 14, 2016
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