I think that I struggle with composition. The one of the man sorting throough his bags is in a less finished state. The other one I have to fix up a few ouzzles here and there, but it is more finished.
They look so different on screen than in reality. Watercolors don't photograph well because of the camera's limited dynamic range. I think next time I will try a HDR composite and see if that gives a better representation.
I am trying to be as general with the shapes at first and work towards the detail. It is a challenge. I feel like I am still a bit muddied in the glazing.
As far as working methods on the watercolors. I got the idea this time to consider the temperature of the shadows and choose a tempreature color to lay in the shadows and structure instead of doing pencil work. I hate having to erase pencil lines. I worked over this laying in of shadows.
Generally, I have a thing for Burnt Sienna and Ultramarine for working in shadows and understructure. For flesh tones I use Alizaron Crimson dropped into Naples Yellow. To cool the flesh or give it a greenish cast I use Cerulean. To warm it I use Scarlet Lake,or Cadmium Red instead of Alizaron combined with the Naples.
My knowledge of greens and purples isn't as good. I do like the luminosity of shadows made with Ultramarine and Alizaron Crimson. It makes such a nice clear purple. If I want a really earthy dark purple or neutral, I like to use Prussian Blue, and Cadmium Red.
That's about the best I can say....
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